nova ren suma

Cover Stories: Imaginary Girls by Nova Ren Suma

IG hardcover Nova Ren Suma was here last week talking about her cover and title changes for Dani Noir/Fade Out. This week she's back to discuss the cover that made her cry: Imaginary Girls. "Discovering what the cover of a book will be is always a magical moment—and one that, every single time, has revealed itself to be something I didn’t expect. Maybe it’s because I don’t let myself think too much in detail about what the cover should be when I’m writing. I don’t like to picture the cover—I leave that for the people at my publishing house. I like to keep an open space in my mind for where the cover will be, once my editor sends it to me. I like to be surprised.

"I thought that the covers for Dani Noir and Fade Out both captured different feelings the story was trying to portray, and I count myself as lucky to have had both editions published. But there’s only one cover in my short history as an author that felt like someone had slipped into my secret fantasies and awarded me the thing I didn’t even know to ask for.

"Here it is, the cover that made me burst into breathless, happy tears (left).

"Imaginary Girls was my second published book, but my debut YA novel. It’s the story of two sisters, their strong bond, and the dead body that threatens to break it—and the story begins at the local reservoir, when the younger sister, Chloe, is dared to swim across the water by her older sister, Ruby, in the middle of the night, and something shocking stops Chloe before she makes it across.

underwater_elena_kalis06"The image that graced the hardcover edition of the book is a photograph by Elana Kalis, whose underwater photography is the stuff of legend. Truly—the images are so beautiful, I don’t even know how to contain myself. Here is the original image before it became my cover (right). And here is the exhilarated blog post I wrote when I first revealed this cover to the world.

"I really did cry when I first saw the cover. It was more beautiful than I’d ever imagined a cover for anything I wrote could be, and I felt like the image spoke to the voice of the novel, to the feeling I wanted to portray, even if it wasn’t a literal interpretation of Chloe swimming the murky reservoir in the deep night.

"Sometimes an author’s wildest cover dreams come true.

"…And dreams that come true don’t always last forever.

The New Face of Imaginary Girls

"Because when it came time to publish Imaginary Girls in paperback, I was told that this would involve a cover change.

9780142420904_ImaginaryGirls_CV-sales2.indd"The paperback version of the Imaginary Girls cover is quite literal. The water is dark, as the reservoir at night would be. The girl’s eyes are green, as they would be. And there’s even the rowboat with the hand reaching out of it, just as Chloe found when she was trying to swim across. I also really like how pointed the back copy is:

“Ruby said I’d never drown. I didn’t. But someone else did.”

[Full jacket below.]

IG paperback front and back

"Privately, behind closed doors, people have asked me how I could let this happen. Why change the perfect cover? But I’m sure many of you reading this post know that most authors don’t make these decisions. I have no idea what makes a book sell and what cover would draw in the right kind of reader. I do know that since the paperback of Imaginary Girls has come out in the summer of 2012, it seems that more readers have found the book, and this is what any author would hope for. Maybe the new cover tells a reader more of what to expect from this story. Either way, I feel like two sides of the book have been revealed by these covers, like it’s a story with two faces.

"And as I tell any passionate fan of the original version of Imaginary Girls, if you love the first cover as much as I do, you can still order the hardcover."

Thanks, Nova! I actually think you have hit the cover jackpot again and again. While the hardcover of Imaginary Girls remains top in my heart (who can get over such beauty?), your other covers are all lovely and evocative.

What do you guys think? Favorites?

Cover Stories: Dani Noir/Fade Out by Nova Ren Suma

The astoundingly talented Nova Ren Suma is here with an epic Cover Story! So without further ado, here she is: DN hardcover front

"My first published novel, Dani Noir, is about a thirteen-year-old girl named Dani who is obsessed with old noir movies and femmes fatales like Rita Hayworth. In the story, Dani uncovers a noirish secret in her small mountain town and sets off chasing a mystery girl who’s spotted wearing a pair of polka-dot tights. This book was written for a tween audience, and the cover that Simon & Schuster / Aladdin came up with for the book perfectly captured the voice and the mood of the story—as well as the mystery girl’s polka-dot tights. I felt like the illustrator, Marcos Calo, truly 'got' the character of Dani, down to the way she’s creeping behind the wall on the back cover, tailing the girl you see on the front.

(To see the stages the illustrator went through in coming to this final image, visit his blog to take a look at his sketches.)

DN hardcover front and back

"I’d originally envisioned a black-and-white noir-style photograph, but when my editor brought me the final version of this image, which wrapped around to reveal Dani hiding on the back cover, I was excitedly surprised, especially that original art was commissioned. And it’s thanks to the illustrator’s vision, in fact—since the girl on the front cover is holding an umbrella—that I rewrote one of the fantasy sequences to take place in a rainstorm.

"Dani Noir came out in hardcover in 2009, and a paperback edition with the same cover was planned for the following year…

"…But then the paperback edition was canceled at the last minute. I was upset that the book wouldn’t make it to paperback, especially since readers kept asking me when the paperback edition would be out and saying they couldn’t find the hardcover in stores anymore. I was sad, but there wasn’t much I could do. One day I’d have a book that made it to paperback, I told myself.

"In fact, I would. Because the story of Dani Noir wasn’t over...

"Fast-forward about anotherFO paperback year to the day I got a phone call from my agent. Now having moved on and working on books with a new publisher, this was a call I absolutely wasn’t expecting. My agent told me that an editor at a different imprint at Simon & Schuster wanted to publish Dani Noir in paperback. Only… the imprint was Simon Pulse, which publishes only YA books. They thought the book would translate well to a lower YA audience—and it turned out they would even let me make some line edits for the republication. But they wanted to give the book a new cover, and they even had a new title in mind: Fade Out.

"I was thrilled. A book I thought was over now had a second chance at life! And yet… it wasn’t until I hung up the phone that I realized how strange it was to lose what felt like the perfect title for the book. It’s words that mean something to we authors, after all.

"I did want to keep my original title because it was one of my favorite things about the book, but Simon Pulse wanted to distinguish this book from the first version, since the new edition would be on the YA shelves instead of with middle-grade. I came up with a list of other title options, but editorial and sales and marketing and everyone who counted liked Fade Out, so Fade Out it stayed.

"When I announced Fade Out, I was contacted by numerous other authors who were happy for me… but confused. How did this happen? Why was I losing my awesome original cover? Why was I letting them change my title? And wouldn’t readers be confused?

"Well, fellow writers, if you had the sudden chance to have the novel you thought would never make it to paperback come out as you’d hoped… but looking completely different and called something else, might you do it, too?

"I felt like this was a gift I couldn’t pass up, and making it to paperback so the book would hopefully find new readers was the most important thing.

"When the cover for Fade Out was first sent to me, I opened it excitedly on the street, on my phone. And stopped. It was beautiful, arresting even. It was mysterious. And yet it felt like a cover for a completely other book to me. Who was the girl? It couldn’t be Dani… she’s thirteen years old. Was it meant to be Dani’s fantasy image of herself? Could I explain it that way? Did this look like too sophisticated of a cover for this story… and would it be misleading to readers? Would they pick up this cover thinking it was a certain kind of book and be disappointed at what they found inside?

"I was flooded with questions. I remember saying something like I loved the cover image, but this cover made me want to write a whole different story to merit it.

"The photograph wasn’t black-and-white, but, ironically, it was more in keeping with what I thought the original cover of Dani Noir would be. (I think my desire for photographic covers, just in general, is related to how I think I was meant to be writing YA over middle-grade/tween, but that’s a whole other conversation.) I found out later that the image is by a photographer named Ilina Simeonova—and it’s a self-portrait. (She’s created quite a few book covers—check out her portfolio!)

"The new, beautiful cover image stayed, as did the new title, and Fade Out came out in paperback in 2012 and, if the emails I get are any indication, it’s thanks to this second chance at life that the book found readers it may not have found before."

Thank you, Nova! This is an extraordinary story--I'm not sure I've heard of the title/cover/audience change before (anyone else?), but YAY for expanded readerships and paperback dreams come true.

What do you guys think of these covers? I think the original feels more unique to me, but the paperback YA is gorgeous, too, and I honestly like them both.

PS-Next week, Nova will be back to talk about Imaginary Girls, a book I adore.

 

Win-It Wednesday: Contemporary YA!

Over at The Contemps, we've declared June Contemporary YA month (it also happens to be the birthday month of Sarah Dessen and Gayle Forman and yours truly--yay!), and other bloggers are joining in to create a whole summer of real-life reading. I'm so into it. So to make up for this blog's long absence, and to celebrate June Contemps, I'm giving away these four books:

That's Sarah Dessen's What Happened to Goodbye (advanced reader copy), Jay Asher's Thirteen Reasons Why (new paperback!), Nova Ren Suma's Imaginary Girls (hardcover) and Libba Bray's Beauty Queens (advanced reader copy).

I have read them, I heart them, and you will too. (And okay, I know a couple of these skirt contemp lines, but all are rooted in contemp spirit, which basically means that they're realistic fiction--as opposed to otherworldly stuff.)

To win this set of awesome, answer this question in the comments: What's the best Contemporary YA novel you've read in the past year? If you're a strictly paranormal/dystopian/fantasy reader, name a Contemp you'd like to read soon (and then go get it!). You can get some ideas from The Contemps list of members' books.

I'll post a randomly chosen winner next Wednesday. Happy June!

PS-Every Thursday this month, Claire June is giving away a Contemp novel too, so check her out.

PPS-I forgot to announce a winner for the last Win-It Wednesday, pre-blog outage! The randomly chosen winner of Morgan Matson's fabulous Amy & Roger's Epic Detour is... Jessica! Send me your address, J.